#Moog little phatty editor free Patch#

Even in a cluttered home studio where the air conditioning tends to fluctuate throughout the day, the Sub Phatty's tuning is rock-solid, whether measured digitally or by a trusty tuning fork. We'd be remiss here not to mention how quickly and accurately the VCOs come up to playing temperature. Both oscillators employ variable waveshapes, allowing for the added character found between the borders of distinct setting. The Sub Phatty is anchored by two free-running VCOs, which feature pitch ranges of 16', 8', 4' and 2'. Apart from being one of the controls you're most likely to reach for sound-wise, Moog has enhanced the size of that particular control to drive home the notion of the panel as a performance gateway as well as a sound-shaping interface. Your eye, however, goes straight to the oversized Cutoff knob that sits atop the Filter section. Just 25 keys strong (semi-weighted but lacking aftertouch), the Sub Phatty's compact design might not be ideal for soloists of the Rick Wakeman ilk, but the reduced footprint is offset by an easily accessible switch that gives you an additional plus- or minus-two octaves of range to play with.

'An easily accessible switch that gives you an additional plus- or minus-two octaves of range to play with'

#Moog little phatty editor free Patch#

The patch points, including power, audio in/out, CV inputs, MIDI, and USB, are located on the left panel towards the rear of the instrument.Īlthough the Sub Phatty doesn't have a titling front panel like the Voyagers do, the default angle is extremely comfortable to work with and the entire unit carries on the solid, ergonomically pleasing Moog tradition.

The Sub Phatty emerges from its packaging as a 7.2kg piece of analogue ordnance that screams 'tweak me' thanks to all the knobs you'll find waiting for you.